I have mixed feelings about Ernest Hemingway. I loved Farewell to Arms but struggled through To Have and Have Not. And Hemingway himself was the kind of man I despise: a shooting, hunting, fishing type who loved bull fighting and drank too much and equated all these nonsensical pursuits with masculinity. So, mixed feelings.
The Sun Also Rises was Hemingway’s first full length novel. Finished in 1926 and told in the first person, the book is loosely based on a trip that Hemingway made to Spain with a group of friends to see the bullfighting during the Pamplona Fiesta. Continue reading Fiesta: The Sun Also Rises, by Ernest Hemingway
Gibson’s first novel, Neuromancer, is a cyberpunk classic and was published in 1984 – an apt year for such a visionary novel. Pattern Recognition is written in much the same style, using ‘hip’ language and featuring computer technology – but it isn’t a science fiction book.
The book is engagingly written in Gibson’s cyberpunk style. Continue reading Pattern Recognition, William Gibson
Published in Poland in 1961, this novel is a very interesting work from a Sci-Fi perspective. The book deals with the darkness of the human psyche, communication difficulties and the unknowability of alien life forms.
Narrated in the first person, the novel begins as a seemingly straightforward space adventure – with a scientist called Kelvin leaving a space ship in a small capsule. His mission is to join an established scientific expedition aboard a space station in orbit around the mysterious planet Solaris. Continue reading Solaris, by Stanislaw Lem
Double Indemnity is a crime-fiction novel and often cited as a classic of the genre. First published in 1936, the book remains very popular. Why?
Written in the first person, this is a crime novel told through the point of view of the murderer. The language is simple and conversational, using the idioms and figures of speech consistent with the narrator’s background, era and nationality – he is a Californian insurance salesman. While I’m sure this was perfectly in keeping with the time, the language seems quaintly old-fashioned in the 21st Century. (I guess this is an important lesson in how quickly our contemporary fiction can become dated.) Continue reading Double Indemnity, by James M Cain
I had forgotten how good Patricia Cornwell is. This is her first Kay Scarpetta novel and one that I read a long time ago. As part of my Birkbeck University course, I recently had to revisit it.
This is crime fiction at its best. Kay Scarpetta is the Chief Medical Examiner in Richmond, Virginia, and works with the police to uncover the identity of the serial murderer who is terrorising the city. There is no equivalent role in the UK, but Scarpetta’s responsibilities appear to be a combination of postmortem pathologist and police surgeon. Continue reading Postmortem, by Patricia Cornwell
This is an interesting book, first published in 1976. It has a weird structure and, initially, I was completely bemused by it.
The subject of the story is Buddy Bolden, a black American musician living in New Orleans at the beginning of the twentieth century. Buddy was famous for his cornet playing and for being one of the early pioneers of jazz music. Continue reading Coming Through Slaughter, by Michael Ondaatje
This book was written the same year as I was born, 1956. A short book, it describes the interweaving lives of the first West Indian immigrants to England as seen through the eyes of an established immigrant, Moses Aloetta. The book is written in the third person and includes a number of characters, but the narrator is firmly established at the outset as Moses. Continue reading The Lonely Londoners, by Sam Selvon